One day, I stumbled upon a literary term in the passage, “There was a plaster model of the Eiffel Tower in there.
It was painted gold. It had a clock in it.
‘There’s a smashin’ thing,’ he
said.
And we were flown to a rest camp
in France, where we were fed chocolate malted milkshakes and other rich foods
until we were all covered with baby fat. Then we were sent home, and I married
a pretty girl who was covered with baby fat, too.” (Pg.6-7)
While I was reading the first
chapter of Slaughterhouse Five, I skimmed over this passage. I assumed
that Vonnegut had no idea what he was writing and it had nothing to do with the
plot, but I was mistaken. I read the chapter again. I finally understood the
meaning of adding the paragraph. I call this little section in the chapter a
“mini” foreshadowing. This section is more like a chain reaction of
foreshadowing actions.
The first
foreshadowing action is revealed when the narrator is shown the model of the Eiffel
Tower by an idiotic Englishman. Then, the narrator and the rest of the soldiers
are taken to a rest camp in FRANCE. Thanks to the wonderful world of Google, I
know that the Eiffel Tower is, in fact, located in France. (Duh!)
Another
foreshadowing activity is quickly discovered. While in France, the soldiers were
pampered with chocolate malted milkshakes and other rich foods. Of course, they
eventually gained some weight. The soldiers were sent home covered in “baby
fat.” The narrator married a girl also covered in some “baby fat.” Obviously, if one eats too much chocolate and food, then they began to gain some weight. Vonnegut describes to the audience that the narrator has some baby fat, and he marries a girl who also has baby fat.
(I thought the video had a good connection with my blog. Ratatouille film is set in FRANCE and Linguini is learning to cook RICH FOODS!)
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